When Marina announced Princess of Power, I felt a genuine rush of excitement. The title screamed confidence, magic, and rebellion. And overall, the album delivers—it’s playful, bold, glittery, and full of attitude. But as much as I enjoyed it, I couldn’t help comparing it to Ancient Dreams in a Modern Land, which to me remains her most complete and powerful modern work.
The Fun Is Real
Let’s be clear: Princess of Power isn’t bad—in fact, it’s full of delightful moments. Tracks like “Cuntissimo” and “Cupid’s Girl” sparkle with Marina’s signature charm and wit. She’s clearly having fun again, now in full control of her career. The production is tight, the synths are rich, and the vocals, especially on “Final Boss”, have a theatrical confidence that few pop artists can pull off.
It’s also refreshing to see her independent, away from major-label pressures. The visuals, the themes, the freedom, it’s all Marina, uncensored. And I love that for her.
But Where’s the Bite?
That said, something’s missing. Ancient Dreams in a Modern Land had a sharper tongue. It was politically conscious, emotionally complex, and lyrically ambitious. Songs like “Purge the Poison” and “Flowers” had a rawness that Princess of Power sometimes lacks.
Many of the new tracks, while fun and catchy, feel lyrically lighter—more playful than profound. There’s nothing wrong with that, of course. Not every album needs to carry the weight of the world. But coming off ADML, which was bursting with commentary and personal evolution, this new record feels more like a glitter-coated dance through fantasy than a meaningful leap forward.
A Fan’s Perspective
As a long-time fan, I’m happy Marina is exploring joy and sensuality—especially on her own terms. Songs like “Digital Fantasy” and “Butterfly” offer cute, dreamy pop moments. And “Rollercoaster” is a bop, no question.
But if I’m honest, I missed the emotional depth, the thought-provoking lines that made me pause. Princess of Power is a beautiful crown—but it doesn’t cut quite as deep as her best work.
Final Thoughts
Would I recommend Princess of Power? Absolutely. It’s playful, theatrical, and joyfully queer. Marina still knows how to craft a catchy pop universe that feels entirely her own.
But for those of us who were moved by the introspection and fire of Ancient Dreams in a Modern Land, this album might feel like a lighter spell in her magical catalog—shiny and sweet, but less soul-shaking.
Still, if this is what freedom sounds like for Marina, I’ll gladly keep listening.
